1. "Shantaram" by Gregory David Roberts (Australian becomes armed robber to support heroin habit, is sent to jail for 20 years, escapes after 10, ends up in Bombay (Mumbai) where he opens a free medical clinic for the slum dwellers, and then ends up in the Bombay mafia, and that's only me halfway through the book.) - Page turner in the extreme. Loving it despite far too much purple prose. Turns out I'm not alone: Wikipedia claims that both Russell Crowe and Johnny Depp expressed interest in buying the book's rights to make it into a movie.
2. "A Prayer for Owen Meany" by John Irving - finished it because Ai loved it and we usually have the same taste. Also, considered one of his best, and I had remembered really enjoying a few older Irving novels I read, and the movie version of "The Cider House Rules". Didn't love "Owen". Wasn't blown away by it. Not much more to say. I feel like I missed something. Also, and this might well be the main problem, it never went where I wanted it to go.
3. "Tokyo Fiancee" by Amelie Nothombe - Nothombe has style, and that's what I loved here, that and her accurate take on Japanese culture. Her ego and humor and depth of thinking is enough to get you through the book, but by the end I was tired of the writer's ego. (Still, I'd pick up another of her, like, 17 novels, or something ridiculous - Nothombe's only forty-something.)
4. "Mysteries of Pittsburgh" by Michael Chabon - This was Michael Chabon's first novel. I read this because I loved the movie of his second book "Wonder Boys," I thought "The Amazing Adventures of Kavalier and Clay" was great fun, and because though I didn't enjoy his last, "The Yiddish Policeman's Union" (sorry Dan) I hoped since "Mysteries" was Chabon's first novel it would have more heart and a little less clever. I couldn't even finish "Yiddish Policeman" because it was so clever, the whole thing just seemed like one big wink, a joke, a really great trick - but I'm not into 500 pages of clever. I need heart with my brain and I was hoping that going back to Chabon's first book I might find that. No such luck. Wicked talent for writing, great sentences, original, impressive, and an ideas guy extraordinaire - so inventive - but like the "Yiddish Policeman," I didn't buy into almost any of what was happening in "Mysteries". It was like, instead of being transported to Oz, I couldn't stop/help seeing the man behind the curtain.
[Desert Island #5, coming this week, is much heart and the masterful ability to cut down, to severly cut down on clever, to the point where it seems simple]
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